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Q&A with Rob Clare by Dan Berkowitz

Rob Clare, born and trained in the UK, is an internationally recognized Shakespeare specialist, who has worked in Ireland, Austria, Germany, Australia, the US, and even in India, where he directed productions of “A Midsummer Night’s Dream,” “Julius Caesar,” and “Romeo and Juliet.” He has worked as a freelance verse and text coach with the Royal Shakespeare Company, and has taught in the US at The Juilliard School, Yale, Brown, NYU Tisch, USC, and CSU Long Beach. His production of “As You Like It” is playing at Antaeus Theatre Company through September 10.

That Debra Jo Rupp is here now in Los Angeles, and appearing onstage in Bekah Brunstetter’s “The Cake” through August 6, is proof that God indeed loves the world, smiles on California, and wishes our civilization to flourish.

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For some time, there’s been an awareness – and a concern – among performing arts professionals that women artists are underrepresented. We’ve all read about the paltry percentage of major studio films directed by women, or featuring dynamic leading roles for women, so much so that the success of Wonder Woman is being hailed – […]

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A Q&A with playwright Dorothy Fortenberry, whose new play “Species Native to California” plays through June 11 at IAMA Theatre Company

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While many plays start obliquely, then clear things up by the end, “Kiss” is a play which starts confusingly, then spirals down into aggressive incoherence. It’s full of sound and fury, signifying… well, if you can figure it out, I wish you’d tell me.

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Murray Mednick is a pioneer of the off- and off-off-Broadway movements. “The Gary Plays,” a series of six plays he wrote, opens May 4.

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The characters talk a lot, but we never get a sense of what they’re thinking or feeling underneath the words. It’s “what you see is what you get” – in this case, an engrossing (if nasty) story with some interesting (if nasty) characters, but no hint of where they came from, or what propels them to do what they do the way they do it. It’s an attractive and polished surface, but I wish we had occasionally gone a little deeper.

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“Pure Confidence” is a dynamic and challenging work by Carlyle Brown, being given a splendid production by the Lower Depth Theatre Ensemble. Like Lower Depth’s previous productions, “Pure Confidence” shows us another facet of the African-American life experience. It does so with confidence, talent, and compassion, and is thoroughly engaging. Go.

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“Scruncho” is a nickname Anthony McKinley acquired as a kid – we get the feeling it wasn’t complimentary – and he decided to keep it when he grew up and became a comedian. This spring, while he’s still being pretty funny, Scruncho’s repertoire has branched out to include tragedy as well as comedy with his new one-man show, “All I Needed Was a Hug.”

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“Of Mice and Men” is about dreams, and how difficult – and often impossible – they are to fulfill. In their striving for peace and happiness, for companionship if not love, and for at least a bit of security, these characters are timeless.

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